Comics Archive

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The Avengers Theatrical Trailer

F. and Yes.

I see what they did there by setting the trailer to Nine Inch Nails’ “We’re In This Together.” (because they’re a team of super heroes.)

I’m a little disappointed that we don’t get a glimpse of Cobie Smulders as Maria Hill even though she isn’t a “name” actor like the rest of the star studded lineup, but what can you do. I’m also talking myself into ScarJo as Black Widow. Probably because she doesn’t speak at all in the trailer.  I don’t want to set expectations too high, but based on this trailer and Joss Whedon’s track record, I think we might all have good reason to geek out next May – comics fan or not.

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comiXology Announces Digital Storefront for Brick and Mortar Comic Shops – ComicsAlliance

The problem with this is that many comic shops don’t actually have a significant web presence, much less a full online retailing solution. These are the stores that stand the most to lose if the brick and mortar comics retailing apocalypse happens.

That being said, I’d be more than willing to support my local comic book store if they were a part of this initiative. There needs to be a way to combine both paper and digital comics sales in a sensible way for the consumer. I sure as hell ain’t going to pay a premium for a la carte digital comics.

“By having a ComiXology-powered store and reader integrated with our existing new and back-issue comics website, we will provide our customers with even more access to the comics they love while increasing their loyalty to us,” said Chris Powell, General Manager and CRO of myccomicshop.com. “Having seen comiXology’s Retailer Tools and Pull List services, we trust comiXology’s technology to help us thrive in a market where customers are interested in both print and digital comics. ComiXology will help us provide the one-stop shopping that customers are looking for. Digital comics can be a great tool for reaching out to new or lapsed customers, and retailers should not be afraid of this new format. Instead, they should look for ways to make the digital format complement their existing print business.”

Read more: comiXology Announces Digital Storefront for Brick and Mortar Comic Shops – ComicsAlliance | Comics culture, news, humor, commentary, and reviews.

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Mark Millar’s Concern With Digital Comics

Some interesting points about selling digital comics:

1/ Apple take 30% right off the bat.
2/ In the case of Wanted, Comixology then splits 50/50 with the publisher.
3/ Then the publisher pays the agent and creative team out of the remaining cash depending on their deal.

Even if you don’t go through Apple, Comixology’s percentage looks to be pretty high as well. I’m not sure what printing and distribution costs are on paper comics, but I’d be surprised if they were as high as Apple and Comixology’s.

Mark Millar:

In hard numbers, the digital comic is normally half the price of the paper comic, but you have just as many percentages to pay out as a creative team to an electronic distributor and publisher. So effectively the creative team is getting half as much money. For creators, this isn’t great and for comic stores this is awful. I don’t mind paying thirty percent to a local store where my friends work and the guys care about the product. But do I want this money going to Apple?

Millar makes some great points about the finances situation, but let’s keep in mind that right now most of the comics sold digitally were released months and years ago. It wouldn’t be a stretch to assume that most of the current digital comics sales are gravy on top for everyone involved.  Put another way, the paper comics have already had their sales run with or without the existence of digital comics.

The real issue comes with how to deal with day and date book releases. There’s still a sizable audience of potential comics readers that have no interest or ability to buy paper comics. How are these people going to be served without being cast aside?

As someone who likes owning the paper books, I still feel a hybrid paper/digital solution is what I would like the best. I want to own the best books for my personal library, while also enjoying the convenience of digital delivery for when I don’t have time to get out to the store.

However, shelling out the same cover price as a paper comic for a digital one just doesn’t sit well with me. Like in the music industry, consumers want all-you-can-eat subscriptions. There’s books that I would want to try out, but with comics being $3.99 or more these days, it’s too hard to justify buying many of them on a whim. We need to have a compromise between the readers, retailers, and creators that leaves everyone happy.

Read: MY BIG CONCERN WITH COMIC DOWNLOADS – Millarworld.tv Forums.

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Patton Oswalt On Geek Culture

Patton Oswalt writing for Wired magazine:

Everyone considers themselves otaku about something—whether it’s the mythology of Lost or the minor intrigues of Top ChefAmerican Idol inspires—if not in depth, at least in length and passion—the same number of conversations as does The Wire. There are no more hidden thought-palaces—they’re easily accessed websites, or Facebook pages with thousands of fans.

I can’t argue with his observations on how pretty much anything is grounds for any number of people to “geek out” on these days. Talk to the millions of “twihards” or “gleeks” and you have enough proof you need.

The last half of the piece gets a little loopy ridiculous, though his point is made. I remember designing Zelda dungeons on notebook paper as a kid after school. If I had access to all the content I do now as a kid, I would have probably spent that time consuming content rather than doing that. After all, nothing’s more discouraging than seeing other people do things way better than you.

Read: Wake Up, Geek Culture. Time to Die | Magazine.

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Left 4 Dead Comic “The Sacrifice” Part 1 Released, Michael Avon Oeming On Art Duties

Heads up Left 4 Dead/Zombie/Comics fans – Valve just put up part 1 (of 4) of the Left 4 Dead comic, entitled “The Sacrifice.” (Which is unsurprisingly what the next Left 4 Dead 2 DLC campaign will be called)

Normally, I wouldn’t give a crap about some ancillary fan-fiction comic, but I noticed that the co-creator and artist of Powers, Michael Avon Oeming is involved with it. (Powers, if you didn’t know, is one of the best current comics, written by Brian Michael Bendis and drawn by Oeming. It’s a gritty cop story set in a world where super-powered people exist.) Doing a little more digging on Oeming’s site revealed that the game writers over at Valve handled the scripting while he handled the art for this project.

“The Sacrifice” starts right after the end of the original Left 4 Dead and tells the story of what happened to that crew. We even get some flashback sequences from before the outbreak really hit the fan and learn a bit more about Louis’s life before he became a “survivor.” It’s actually a pretty compelling story and a recommended one  if you’ve played the games or like zombies.

Read Part 1 of “The Sacrifice”

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New Marvel vs. Capcom 3 Trailer Shows Off Super Skrull, Dormammu

God, I can’t wait for this game.

As someone who grew up on Street Fighter and Marvel Comics, Capcom’s (X-Men/Marvel) Vs. (Street Fighter/Capcom) franchise has always held a special place in my heart. It also tickles my inner nerd seeing not-so-mainstream villains such as Dormammu or Super Skrull get playable character status.

Something about the pseudo-3d graphics feels a little…sterile to me, though. I know it worked for Street Fighter 4, but my gut wishes that they would have gone with super hi-resolution 2d animation based off of a genuine comic artist’s work.

Oh well, Marvel Vs. Capcom 3 still looks like incredible fun.

While the trailer may seem like a shitshow to the uninitiated, there’s actually a methodical way to play this game. It doesn’t take too long to process what’s going on and once you do it’s immensely satisfying to pull off those 16 hit air combos and/or fantastical super moves.

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AMC’s The Walking Dead Trailer and Premiere Date

AMC’s on top of the television world right now with Mad Men and Breaking Bad as arguably the best shows on TV. So why wouldn’t they one-up HBO’s True Blood with an undead series of their own?

The Walking Dead is based off of Robert Kirkman’s graphic novel series of the same name. It just won the 2010 Eisner Award for Best Ongoing Series. I admit, I never got into the comic, but it’s definitely on my list to start before the show premieres at least.

Frank Darabont (The Shawshank Redemption, The Green Mile) writes and directs the 90 minute series premiere about surviving the zombie apocalypse in small town middle America.

Check out the awesome trailer above and set your DVR’s for 10pm on Oct 31. (Yeah, I know. I couldn’t have passed up slotting the premiere on Halloween if I was a network executive too.)

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Marvel Comics Inches Ever So Slowly To The Digital Age

Today, Marvel announced that the upcoming Invincible Iron Man Annual will be available on their iPad app “day and date” with the paper release of the book on June 30th.

I’d like to look at this with optimistic eyes. It’s the first step to being able to buy and read all of my comics on my wonderful iPad device the day they are released. There’s a catch though.

According to Marvel:

“Fans going to their local comic store can pick up the entire Invincible Iron Man Annual at a low price that day or all three chapters through the Marvel Comics app.”

No actual numbers are given in the press release, but we know the paper comic is going to be $4.99. A la carte digital comics are $1.99 through the Marvel app. With a little conjecture from the “three chapters” wording, one can quickly deduce that the digital version will cost $5.97.

I can’t help but think of the bullshit we’ve gone through (and are still going through) with the music industry and mp3s. Digital consumers are again being treated as second class citizens. Higher prices than the “real” product. We’re supposed to be excited about getting ONE comic “day and date” with the paper release? Is it that hard to scan in 32 pages per book each week and program in the guided view? Why isn’t everything available digitally at the same time as the paper release?

Comics are expensive nowadays. $4-$5 per issue isn’t a trivial cost anymore, especially when you follow multiple titles a month. Like in the music industry, we need a proper subscription model here. I realize there’s a fine balance with the retailers that have to be kept, but as a consumer, it’s just becoming too cost prohibitive to continue reading what I’ve been reading, much less trying out new titles. Also, trying to convert the average movie-going audience into comic buyers with a $4 monthly book may be a pipe-dream out of the RIAA playbook. Try convincing casual radio listeners to buy $14 CDs nowadays.

A monthly unlimited digital subscription fee for iPad/tablet users might be a good first step. The traditional comic buyers are still going to go to the store for the paper copies. You’d expand your readership into the mainstream with a better chance of convincing them to become lifelong comics fans.

Hell, you might even get some double-dip cash from tech savvy readers like me.

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Review: Comic Zeal 4 For iPad

Comic Zeal Splash Screen

Without question, one of the killer apps for the iPad is the ability to read comics/graphic novels digitally. While the screen size of the iPad isn’t exactly 1:1 with the size of a comic, it’s close enough to provide an almost identical reading experience.  It might be even better than the real thing, since you can easily screen shot pages and email them to friends.  No other device on the market currently can offer this capability.  In fact, I’ve probably spent more time reading digital comics on the iPad than doing anything else on it so far.

You’ll need to download an app to read comics, as there’s no built-in function on the iPad to do so. I’ve been using Bitolithic’s Comic Zeal 4 for iPad since launch week and have put it through its paces.

TL;DR version of this review: While not perfect, Comic Zeal is worth the $7.99 price if you intend to spend any significant time reading multiple comic files on your iPad.

File Import:

Comic Zeal 4 supports the .cbr, .cbz, and.cbi filetypes for digital comics import.  I haven’t come across a situation yet where I needed more filetypes supported, but if you need PDF or RAR support, you’ll need to either convert them or find another app.  Transferring comics to the iPad is very simple.  You plug in your iPad to your computer’s USB port, navigate to the Apps tab in iTunes, and click on the Comic Zeal icon under the “file sharing” section.  From there, you drag and drop any number of comic files to transfer them over.  I found transfer speeds comparable to those of mp3 files.  Finally, the next time you open the Comic Zeal app on your iPad, there will be a short processing queue for all of the comics you transferred earlier.  In the initial version of the app, this process took an unbearably long time.  Fortunately, the 4.0.2 update addressed this and the queue is now a minor inconvenience.  According to the developer, this extra bit of processing is needed in order to optimize reading performance for the iPad.

I’d like to see a form of Wi-Fi syncing in the future, preferably a solution that accounts for batch file importing. (Update: I’ve been informed that you can do this currently via Comic Zeal Sync, a free Java app downloadable from the Bitolithic website.  It is very simple to use and sync.  No fiddling with network settings is necessary. It would still be nice to have a solution that doesn’t require the installation of a standalone app, though.) I can see myself in situations where I’m away from my main PC, but would like the capability to add content to read.  The recently released free Cloud Reader app offers this capability, but requires far too many clicks in order to get over a large number of files.

The UI:

Comic Zeal UI

As you can see above, Comic Zeal makes good use of pop-over window panes in its interface.  The biggest strength of Comic Zeal is its thoughtful interface for organizing and navigating your collection.  All of the comics in your collection are represented by icons of the actual comic’s cover.  You can then sort your comics into graphically represented long comic boxes (think folders) via a slick tap interface.  Once you go into edit mode by tapping the edit button, you can then tap the comics you want to select.  Selected comics will jiggle, like when you manipulate icons on the iPad home page.  From there you can either delete the selected comics or move them into an “other” or existing folder.  You can also change the view to display only icons or text and icons.  It’s pretty nice, but there are a few nits I’d pick. A “select all” button would be nice, along with a clarification that the “other…” selection on the move window really means “new folder”.  Also, the ability to rename folders seems like an obvious oversight.  Finally, as cool as the “jiggling” animation looks, it can be hard to tell what’s jiggling and whats not when you have an entire screen of icons selected.  Some simple checkboxes may provide a more salient solution.  Nevertheless, organizing your digital collection on Comic Zeal is a treat.

The other icons I didn’t find as useful.  The “Recents” and “Downloads” sections are currently useless as they puts the most recently accessed or downloaded files on the bottom, forcing you to scroll through pages before getting to them. (Bitolithic has confirmed this as an issue and will have it fixed for a future release.) There’s also a “Featured” button which should be labeled most appropriately as “Download” or “Store”.  From there, you can download selected golden age and Flashback Universe comics for free.

The Reading Experience:

Comic Zeal Free Golden Age Comic Page

Comic Zeal 4’s reading experience is polished.  Your trusty swipe and pinch gestures make it intuitive to flip pages and zoom in and out.  Unlike it’s competition, pages are displayed in the correct order and distinctly on each screen.  Splash pages automatically resize to fit width-wise in portrait form.  You’ll probably want to rotate the screen to landscape in order to properly read the pages without zooming.

There are a few puzzling interface decisions, though.  I’ve been trained by iBooks, Kindle, instapaper, Goodreader, and countless other apps that single tapping the middle of the screen hides and shows the menu bars.  Single tapping in Comic Zeal zooms in to wherever you tap.  It takes a double tap (or a tap on the watermarked arrow) to bring up the menu.  You can change this behavior by going into the iPad settings section, but it’s odd as to why the default settings aren’t set up like most iPad apps.  I also found myself constantly wanting to tap the margins to change pages, but the app doesn’t have that capability yet.  (Bitolithic promises this will be in the new version.)

Buttons on the bottom bar allow you to snap a screen shot, lock the screen orientation, open a file, page forward and backwards, and seek to a page with a slider.  I love the screen shot button, as it provides an obvious way to snap a page to share with people.  In future versions, I’d like to see this expanded upon to allow for a screen shot of selected panels and easy access to share them via twitter/email/etc. It would also be great to have a way to read lots of consecutive single issues without having to navigate the collection through multiple taps.  Perhaps the arrow keys on the bottom menu could be used for next/previous issue in a folder.

Reading in Comic Zeal is a breeze once you learn the quirks of the interface.  It’s relatively clean, but could be so much better with a few small changes.

Conclusion:

At iPad launch, Comic Zeal was one of two solutions for reading your own comics digitally.  It still is, with the difference being that the alternative app, Cloud Reader, is now free rather than more expensive.  That being said, I still think Comic Zeal provides enough in the way of features to warrant the purchase if you plan on frequently reading digital comics.  If you’re only looking for an app to demo to your friends or read a digital comic file here and there, you’re better off with the official Marvel app or Cloud Reader.

A promising sign with Comic Zeal is that Bitolithic appears to be listening to feedback and has provided transparency in their development process through their twitter feed.  $7.99 is a bit more than an impulse purchase on the app store, but for an app i use constantly, I consider it worth the investment.  If Bitolithic follows through on its promises and continually evolves Comic Zeal, it could be the beacon for a true digital comics revolution.

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This Is Kinda Cool

watchmen smiley logo

This is kinda cool.  Plasmic Studios have created a nice Flash presentation comparing original panels of Watchmen comic pencils to the “live action” movie posters that were created for the upcoming film release in 2009.  Ozymandias looks a little scrawny and malnourished, but other than that, the “real” renditions look pretty bad ass.

I can’t wait for this movie.