Comics Archive

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Left 4 Dead Comic “The Sacrifice” Part 1 Released, Michael Avon Oeming On Art Duties

Heads up Left 4 Dead/Zombie/Comics fans – Valve just put up part 1 (of 4) of the Left 4 Dead comic, entitled “The Sacrifice.” (Which is unsurprisingly what the next Left 4 Dead 2 DLC campaign will be called)

Normally, I wouldn’t give a crap about some ancillary fan-fiction comic, but I noticed that the co-creator and artist of Powers, Michael Avon Oeming is involved with it. (Powers, if you didn’t know, is one of the best current comics, written by Brian Michael Bendis and drawn by Oeming. It’s a gritty cop story set in a world where super-powered people exist.) Doing a little more digging on Oeming’s site revealed that the game writers over at Valve handled the scripting while he handled the art for this project.

“The Sacrifice” starts right after the end of the original Left 4 Dead and tells the story of what happened to that crew. We even get some flashback sequences from before the outbreak really hit the fan and learn a bit more about Louis’s life before he became a “survivor.” It’s actually a pretty compelling story and a recommended one  if you’ve played the games or like zombies.

Read Part 1 of “The Sacrifice”

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AMC’s The Walking Dead Trailer and Premiere Date

AMC’s on top of the television world right now with Mad Men and Breaking Bad as arguably the best shows on TV. So why wouldn’t they one-up HBO’s True Blood with an undead series of their own?

The Walking Dead is based off of Robert Kirkman’s graphic novel series of the same name. It just won the 2010 Eisner Award for Best Ongoing Series. I admit, I never got into the comic, but it’s definitely on my list to start before the show premieres at least.

Frank Darabont (The Shawshank Redemption, The Green Mile) writes and directs the 90 minute series premiere about surviving the zombie apocalypse in small town middle America.

Check out the awesome trailer above and set your DVR’s for 10pm on Oct 31. (Yeah, I know. I couldn’t have passed up slotting the premiere on Halloween if I was a network executive too.)

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Marvel Comics Inches Ever So Slowly To The Digital Age

Today, Marvel announced that the upcoming Invincible Iron Man Annual will be available on their iPad app “day and date” with the paper release of the book on June 30th.

I’d like to look at this with optimistic eyes. It’s the first step to being able to buy and read all of my comics on my wonderful iPad device the day they are released. There’s a catch though.

According to Marvel:

“Fans going to their local comic store can pick up the entire Invincible Iron Man Annual at a low price that day or all three chapters through the Marvel Comics app.”

No actual numbers are given in the press release, but we know the paper comic is going to be $4.99. A la carte digital comics are $1.99 through the Marvel app. With a little conjecture from the “three chapters” wording, one can quickly deduce that the digital version will cost $5.97.

I can’t help but think of the bullshit we’ve gone through (and are still going through) with the music industry and mp3s. Digital consumers are again being treated as second class citizens. Higher prices than the “real” product. We’re supposed to be excited about getting ONE comic “day and date” with the paper release? Is it that hard to scan in 32 pages per book each week and program in the guided view? Why isn’t everything available digitally at the same time as the paper release?

Comics are expensive nowadays. $4-$5 per issue isn’t a trivial cost anymore, especially when you follow multiple titles a month. Like in the music industry, we need a proper subscription model here. I realize there’s a fine balance with the retailers that have to be kept, but as a consumer, it’s just becoming too cost prohibitive to continue reading what I’ve been reading, much less trying out new titles. Also, trying to convert the average movie-going audience into comic buyers with a $4 monthly book may be a pipe-dream out of the RIAA playbook. Try convincing casual radio listeners to buy $14 CDs nowadays.

A monthly unlimited digital subscription fee for iPad/tablet users might be a good first step. The traditional comic buyers are still going to go to the store for the paper copies. You’d expand your readership into the mainstream with a better chance of convincing them to become lifelong comics fans.

Hell, you might even get some double-dip cash from tech savvy readers like me.

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Review: Comic Zeal 4 For iPad

Comic Zeal Splash Screen

Without question, one of the killer apps for the iPad is the ability to read comics/graphic novels digitally. While the screen size of the iPad isn’t exactly 1:1 with the size of a comic, it’s close enough to provide an almost identical reading experience.  It might be even better than the real thing, since you can easily screen shot pages and email them to friends.  No other device on the market currently can offer this capability.  In fact, I’ve probably spent more time reading digital comics on the iPad than doing anything else on it so far.

You’ll need to download an app to read comics, as there’s no built-in function on the iPad to do so. I’ve been using Bitolithic’s Comic Zeal 4 for iPad since launch week and have put it through its paces.

TL;DR version of this review: While not perfect, Comic Zeal is worth the $7.99 price if you intend to spend any significant time reading multiple comic files on your iPad.

File Import:

Comic Zeal 4 supports the .cbr, .cbz, and.cbi filetypes for digital comics import.  I haven’t come across a situation yet where I needed more filetypes supported, but if you need PDF or RAR support, you’ll need to either convert them or find another app.  Transferring comics to the iPad is very simple.  You plug in your iPad to your computer’s USB port, navigate to the Apps tab in iTunes, and click on the Comic Zeal icon under the “file sharing” section.  From there, you drag and drop any number of comic files to transfer them over.  I found transfer speeds comparable to those of mp3 files.  Finally, the next time you open the Comic Zeal app on your iPad, there will be a short processing queue for all of the comics you transferred earlier.  In the initial version of the app, this process took an unbearably long time.  Fortunately, the 4.0.2 update addressed this and the queue is now a minor inconvenience.  According to the developer, this extra bit of processing is needed in order to optimize reading performance for the iPad.

I’d like to see a form of Wi-Fi syncing in the future, preferably a solution that accounts for batch file importing. (Update: I’ve been informed that you can do this currently via Comic Zeal Sync, a free Java app downloadable from the Bitolithic website.  It is very simple to use and sync.  No fiddling with network settings is necessary. It would still be nice to have a solution that doesn’t require the installation of a standalone app, though.) I can see myself in situations where I’m away from my main PC, but would like the capability to add content to read.  The recently released free Cloud Reader app offers this capability, but requires far too many clicks in order to get over a large number of files.

The UI:

Comic Zeal UI

As you can see above, Comic Zeal makes good use of pop-over window panes in its interface.  The biggest strength of Comic Zeal is its thoughtful interface for organizing and navigating your collection.  All of the comics in your collection are represented by icons of the actual comic’s cover.  You can then sort your comics into graphically represented long comic boxes (think folders) via a slick tap interface.  Once you go into edit mode by tapping the edit button, you can then tap the comics you want to select.  Selected comics will jiggle, like when you manipulate icons on the iPad home page.  From there you can either delete the selected comics or move them into an “other” or existing folder.  You can also change the view to display only icons or text and icons.  It’s pretty nice, but there are a few nits I’d pick. A “select all” button would be nice, along with a clarification that the “other…” selection on the move window really means “new folder”.  Also, the ability to rename folders seems like an obvious oversight.  Finally, as cool as the “jiggling” animation looks, it can be hard to tell what’s jiggling and whats not when you have an entire screen of icons selected.  Some simple checkboxes may provide a more salient solution.  Nevertheless, organizing your digital collection on Comic Zeal is a treat.

The other icons I didn’t find as useful.  The “Recents” and “Downloads” sections are currently useless as they puts the most recently accessed or downloaded files on the bottom, forcing you to scroll through pages before getting to them. (Bitolithic has confirmed this as an issue and will have it fixed for a future release.) There’s also a “Featured” button which should be labeled most appropriately as “Download” or “Store”.  From there, you can download selected golden age and Flashback Universe comics for free.

The Reading Experience:

Comic Zeal Free Golden Age Comic Page

Comic Zeal 4’s reading experience is polished.  Your trusty swipe and pinch gestures make it intuitive to flip pages and zoom in and out.  Unlike it’s competition, pages are displayed in the correct order and distinctly on each screen.  Splash pages automatically resize to fit width-wise in portrait form.  You’ll probably want to rotate the screen to landscape in order to properly read the pages without zooming.

There are a few puzzling interface decisions, though.  I’ve been trained by iBooks, Kindle, instapaper, Goodreader, and countless other apps that single tapping the middle of the screen hides and shows the menu bars.  Single tapping in Comic Zeal zooms in to wherever you tap.  It takes a double tap (or a tap on the watermarked arrow) to bring up the menu.  You can change this behavior by going into the iPad settings section, but it’s odd as to why the default settings aren’t set up like most iPad apps.  I also found myself constantly wanting to tap the margins to change pages, but the app doesn’t have that capability yet.  (Bitolithic promises this will be in the new version.)

Buttons on the bottom bar allow you to snap a screen shot, lock the screen orientation, open a file, page forward and backwards, and seek to a page with a slider.  I love the screen shot button, as it provides an obvious way to snap a page to share with people.  In future versions, I’d like to see this expanded upon to allow for a screen shot of selected panels and easy access to share them via twitter/email/etc. It would also be great to have a way to read lots of consecutive single issues without having to navigate the collection through multiple taps.  Perhaps the arrow keys on the bottom menu could be used for next/previous issue in a folder.

Reading in Comic Zeal is a breeze once you learn the quirks of the interface.  It’s relatively clean, but could be so much better with a few small changes.

Conclusion:

At iPad launch, Comic Zeal was one of two solutions for reading your own comics digitally.  It still is, with the difference being that the alternative app, Cloud Reader, is now free rather than more expensive.  That being said, I still think Comic Zeal provides enough in the way of features to warrant the purchase if you plan on frequently reading digital comics.  If you’re only looking for an app to demo to your friends or read a digital comic file here and there, you’re better off with the official Marvel app or Cloud Reader.

A promising sign with Comic Zeal is that Bitolithic appears to be listening to feedback and has provided transparency in their development process through their twitter feed.  $7.99 is a bit more than an impulse purchase on the app store, but for an app i use constantly, I consider it worth the investment.  If Bitolithic follows through on its promises and continually evolves Comic Zeal, it could be the beacon for a true digital comics revolution.

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This Is Kinda Cool

watchmen smiley logo

This is kinda cool.  Plasmic Studios have created a nice Flash presentation comparing original panels of Watchmen comic pencils to the “live action” movie posters that were created for the upcoming film release in 2009.  Ozymandias looks a little scrawny and malnourished, but other than that, the “real” renditions look pretty bad ass.

I can’t wait for this movie.

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Individual 2007 Top Ten Lists

Indulge me as I’m in a list making mood. After the jump I’ll list my lists. They’ll include top tens for music, comics, video games, movies, and television shows. Since I’m too burnt out now to write something for each entry, I won’t. I’ll be happy to conduct a civilized conversation in the comments or email though. Oh, and the lists will contain only things I have experienced in ’07. Stuff I didn’t get to until after the new year, but released near the end of last year (e.g. There Will Be Blood) will go on next year’s lists.
Read the rest of this entry »

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Top Ten Entertainment Experiences Of 2007

2007 was pretty lopsided for me in terms of where my quality entertainment experiences came from. It was a phenomenal year for video games. Perhaps the best single year of new releases for the medium since 1997, if not better. Conversely, there just wasn’t much there in terms of great music. Some solid releases, sure, but nothing that remain etched in my mind as transcendent. Live shows definitely resonated better for me than the album experience did. For sports, I’ll preface my conclusion by saying that I only regularly follow the MLB, the NFL, and the NBA. Besides the lone entry on the list, there were no other truly memorable moments for me this year. Television was fairly solid, despite the writers strike putting a damper on my mood late in the year. Comics had some pretty high moments, and also some pretty “meh” ones as well. Finally, 2007 was just not my year for movies as I wasn’t motivated to seek out much other than the obvious films. While some were fairly entertaining, I just couldn’t argue for their inclusion on this list over the items picked.

Without any more ado, here’s my top ten entertainment experiences of 2007:
Read the rest of this entry »

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Geoff Johns Is A Wordsmith Of The Highest Order

awesome

That’s it. Geoff Johns is officially my favorite super hero comics writer. The former assistant to Richard Donner has scribed what is unequivocally the most entertaining story told in the comic medium this year.

I just finished Green Lantern #25, the final chapter of “The Sinestro Corps War,” and my mind is blown to bits of brain matter. Disappointing endings have become a disturbing trend in entertainment these days. Not for this epic space opera. It’s hard to imagine a better payoff to a 6 month storyline than what the Green Lantern creative teams have given us here. GL #25 may very well be the best single comic issue in years.

Troy Brownfield over at Newsarama has nailed down most of my feelings about the story in his review:

Green Lantern #25 stands out as an adrenaline-fueled kick. I can envision Geoff Johns pounding away at the keyboard, cackling with glee. This is a giant popcorn movie on paper, a summer film that ran all the way until Christmas. It’s probably not going to change the course of human history. It’s not Pynchon or Joyce. But it’s a very entertaining, action-packed burst of cathartic “it’s time for the good guys to lay the beat down” energy.

And then, of course, there’s the icing. The last two pages are reserved for what’s become one of Johns’s favorite tricks since Justice Society of America #1. If you see that trailer and don’t either laugh in appreciation at the audacity of it or drop your jaw in “That’s crazy!” admiration, then you’re no fun at parties.

Green Lantern #25 is exactly what it should be: a bold, splashy, unabashedly over-the-top cosmic super-hero entertainment of epic proportions.

If you enjoy any of the following: space operas, comics, super heroes, or action movies – you owe it to yourself to read this instant classic.

Read Newsarama’s review of Green Lantern #25 [newsarama]

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Pinpointing What Makes Comics And TV So Fun

You know that “whoa” feeling you get when you’re watching the second season of a television series and a character or event happens that ties seamlessly back with the first season? This sort of payoff is a big part of what makes serialized content so appealing. Shows like Lost and The X-Files were always maligned for being impossible to jump in the middle of. It’s hard to cannonball into these shows because the creators have spent so much time building the mythos, that not knowing this history severely impacts the enjoyment one can derive from a given episode. Fans of these shows, though, will tell you that the payoff from these shows is infinitely more satisfying than from episodic shows (Law and Order), or even season-contained series like Heroes or 24.The reason I bring this up is because I just got caught up with Geoff Johns and Dave Gibbons’ summer blockbuster comic storyline, The Sinestro Corps War. It’s one of the most entertaining experiences I’ve had all year in any medium. The Sinestro Corps War is the comics equivalent of a well-done summer action flick. I found myself in an interesting position with this story because I’ve never been much of a Green Lantern reader. I’ve read one or two GL storylines in my life, but by no means am I a regular reader. However, the writers have woven in characters from previous DC mega-stories which I have read. If DC’s goal was to get non-Green Lantern readers to start reading the books, they would have achieved it unquestionably.

Now, barely anyone I know reads comics, but almost everyone follows some sort of TV series. I sorely want to tell everyone I know about this story because I want them to experience the same sense of “fuck yeah!” I had, but I question what its impact will be on a person who knows nothing of the characters. In a sense, comics to the non-reader are like Lost to a non-watcher. It’s too daunting or too disorienting to start in the middle, but comics have an added problem of always being “in the middle.” Comics are essentially television series that have been going on for over 40 years. I imagine publishers are constantly trying to figure out a balance between appeasing long-time readers and getting new blood in, but I really don’t think you can truly duplicate a long-term payoff without diluting the experience.

It’ll probably have to wait until we can download experiences directly into our minds before I can fully share with others what makes comics so awesome.

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Marvel Comics Joins The Digital Age

Last week, Marvel comics unveiled its new digital comics service, “Marvel Digital Comics Unlimited“. Users who pay the $9.99 monthly fee (or $4.99 a month with a 12-month contract) will have access to full-length digital scans of over 2,700 comics from Marvel’s illustrious catalog, including such iconic titles as Amazing Spider-Man and Fantastic Four. The comics will be viewable only in your web browser via flash. So far, though, only the first 100 or so issues of those titles are available. The publisher promises to add new comics every week, albeit only older titles. It has instituted a rule that only comics older than six months will be available online, presumably to not draw the ire of every comic retailer on the planet.

I applaud Marvel for dipping their feet into the digital distribution arena. Piracy is a serious problem in the comic industry, more so than the music industry because a majority of a comic’s value comes from the first read. Digital scans of comic books proliferate p2p sites everywhere and are more likely to represent lost sales because once you have read a comic once you are a lot less likely to read it again and again, whereas a large part of a music file’s value is being able to play it whenever you want and wherever you want. This is a big reason why I am not too perturbed by currently being limited to reading the comics only through your web browser. More often than not, when you’re reading your comics you’re sitting in a home or place with a computer anyway. Reading a comic on an iPod or even an iPhone would be pretty painful given the medium’s reliance on large art panels and carefully crafted page breakdowns to tell a story.

Where it would get interesting, though, is if a portable e-book reader like Amazon’s Kindle were to get an upgrade with full color and maybe a larger screen. That would represent a full-fledged paradigm shift in the industry if you could take and buy your comics wherever you wanted. You could pay a subscription fee or even buy the comics a la cart and have them downloaded via a 3g or 4g network. This would probably result in the demise of the brick and mortar comic book store, so some compromise (such as a paper copy + digital copy bundle) would have to be worked out.

But goddamn. Just thinking about that gives me a huge geek boner.

Check out the service [Marvel Digital Comics Unlimited]