Archive for February, 2008

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Indie Game Spotlight: Audiosurf

With the rise in popularity of games such as Guitar Hero, Rock Band, and Singstar, the amalgamation of music and interactivity has reached the mainstream masses in recent years. As more and more people are exposed to music games, the complaint of “I don’t like the song list they have.” invariably surfaces sooner or later. Since it’s virtually impossible to cater to each and every person’s musical tastes, developers have done their best to have a little something for everyone. But what if you could use any song you have as the basis for such a game? Not just as a soundtrack, but as a crucial foundation to how the game is played. That’s exactly the basis for independent developer, Invisible Handlebar’s upcoming release, Audiosurf.

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Bob Lefsetz Thrusted His Arm At U2 3D

Music industry hyperbole-sensei, Bob Lefsetz viewed the new U2 3D movie on IMAX recently and has wasted no time in imparting his CAPS LOCK LADEN opinion to loyal Lefsetz Letter readers.

Don’t go to the Website, don’t watch the trailer, stop reading this right now and get your ass to the THEATRE!

Apparently he enjoyed it.  So much so that he did what is quite possibly the pottiest thing a human can do at a movie theater:

I thrust my arm in the air and sang along even though Felice and I were the only people in the theatre!

Much love to Felice who was probably shaking her head at lil’ Bobby.

That being said, I’ve viewed the film myself and I must say it was simply amazing.  3D films have an unfair stigma of being cheesy/corny/gimmicky, but this film is certainly none of those things.  It’s the closest experience to actually being at a live music concert.  Now, that may seem like a trite statement, but I mean it in full earnest.  The 3D effects in the film are tastefully done, so much so that you almost don’t even notice them there.  It just feels natural.  Yet you’ve never experienced something like it before.  That, my friends, is a true mark of innovation.

I’ve seen U2 four times and each time I waited 8 hours in front of the venue in order to get a prime spot in the pit for the show.  Does the movie match that experience of the concert?  Of course not, there’s just no way to replicate the vibe, the intensity, the MUSIC of being there in person.  But you could argue the experience of the movie might exceed that of being in the nosebleed seats, and Lefsetz, in fact, does mention this.  I got goosebumps and chills while viewing the movie as if I was at a real U2 show.

While I can’t bring myself to slather on anymore hyperbole, I will say that Lefsetz is right about this one.  Whether or not you like U2, do yourself a favor and go see this film.  You won’t regret it.

Read Lefsetz on U2 3D [lefsetz.com]

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Benn Jordan Infringes His Own Label’s Copyrights

So the hip thing to do these days is releasing your album for free online and operate on a “pay if you like it” business model. But what if you’re not a big, established artist (Radiohead, Trent Reznor, etc.) with the moneyhats to pay for bandwidth and other digital distribution costs?

You pirate your own music.

At least, that’s what Benn Jordan (aka The Flashbulb) has done with his newest album, Soundtrack to a Vacant Life. Jordan’s taken the liberty of uploading his own album to a couple of torrent trackers, including renowned oink “replacement”, what.cd.

Why did he do this? According to his blog:

Well, they’ll be there in 24 hours anyway, and this way I can:
1. Be sure that people aren’t getting fakes.
2. Be sure that people aren’t getting bad rips (soooo many people have asked me about the “static track” on M³)
3. Be sure that people know where they can buy the album, or, “donate” to the artist by including an html file with a personal message.

Benn’s reasons certainly make sense from a practical standpoint. Any new album is going to find its way onto these torrent trackers soon after release, it’s just inevitable. And having information on how to buy the album from sanctioned sources is certainly better than having no information at all when your music is pirated. But is this a good business move for his fledgling record label?

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